Everything about Francisco Guerrero Composer totally explained
Francisco Guerrero (
October 4 (?),
1528 –
November 8,
1599) was a
Spanish composer of the
Renaissance. He was born and died in
Seville.
Guerrero's early musical education was with his older brother Pedro. He must have been an astonishing prodigy, for at the age of 17 he was already appointed
maestro de capilla (singing master, for example music director) at
Jaen Cathedral. A few years later he accepted a position in Seville. Apparently during this time he was much in demand as a singer and composer, establishing an exceptional reputation before his thirtieth birthday; in addition he published several collections of his music abroad, an unusual event for a young composer.
After several decades of working and traveling throughout Spain and
Portugal, sometimes in the employ of emperor
Maximilian II, he went to Italy for a year (
1581-
1582) where he published two books of his music. After returning to Spain for several years, he decided to travel to the Holy Land, which he finally was able to do in
1589. His adventure included visits to
Damascus,
Bethlehem, and
Jerusalem; on the return trip his ship was twice attacked by pirates, who threatened his life, stole his money, and held him for ransom. His ransom must have been paid, for he was able to return to Spain; unfortunately he'd no money, and endured a series of misfortunes including some time spent in
debtor's prison; at last his old employer at Seville Cathedral extricated him, and he resumed working for them. His book on his adventurous visit to the Holy Land was published in
1590 and was a popular success (it is reasonable to suppose that
Cervantes knew it). At the end of the decade he planned one more trip to the Holy Land but unfortunately he died in the
plague of 1599 in Seville, before he was able to depart.
Of all the Spanish Renaissance composers, he was the one who lived and worked the most in Spain. Others—for example
Morales and
Victoria—spent large portions of their careers in
Italy (though, unlike many
Franco-Flemish composers of the time, Spanish composers usually returned home later in life).
Guerrero's music was both sacred and secular, unlike that of Victoria and Morales, the two other Spanish
16th century composers of the first rank. He wrote numerous secular songs and instrumental pieces, in addition to
masses,
motets, and settings of the
Passion. He was able to capture an astonishing variety of moods in his music, from ecstasy to despair, longing, joy, and devotional stillness; his music remained popular for hundreds of years, especially in cathedrals in
Latin America. Stylistically he preferred
homophonic textures, rather like his Spanish contemporaries, and he wrote memorable, singable lines. One interesting feature of his style is how he anticipated
functional harmonic usage: there's a case of a
Magnificat discovered in
Lima, Peru, once thought to be an anonymous
18th century work, which turned out to be a work of his.
References and further reading
- Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
- The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
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